CW sex, Leda
Tale as old as time:
Walking through the heath,
Thought she saw a goose
Doesn't know it's Zeus;
Wings around her heart,
Then the bird is gone.
Feel a little joy!
Start a war in Troy!
Leda and the swan. pic.twitter.com/hi0zDRtKEP
— Marnanel Thurman – @firstname.lastname@example.org (@marnanel) June 11, 2019
The website has some interesting concepts. I’m particularly interested in their algorithm for noisy edges.
I like Clip Studio Paint, and it’s my go-to tool for comics work. But that’s not to say that I’m not occasionally underwhelmed by some of its features. I have the Ex version. Here’s a list of 10 things I wish were better about Clip Studio Paint.
1. Weird brush settings
There are some default brush settings that I find really annoying, and it’s especially annoying that they’re default options.
The one that I find most irritating is the setting that makes brush sizes relative to zoom. So if I pick my favourite inking brush and expand it out to 30px — which means that at maximum pressure, the brush is 30px across (unless you’ve turned off pressure sensitivity) — the size is based on screen size, not paper size. So if I zoom in, 30px on the screen represents a larger area of the paper, and the weight of the line appears a lot heavier. If you want consistent line weights, zooming in screws you up. Suddenly everything you’ve inked at the zoomed-in scale is heavier than the lines you ink while zoomed out. I’m sure that there’s a scenario where you might want that, but I suspect that they’re rare. Nonetheless, this option is turned on by default.
I’ve personally found the pen pressure settings to be far too sensitive, and I tend to tweak the pen pressure sensitivity settings on my favourite brushes to reduce the amount that they respond to pen pressure. One of the YouTube artists that I follow, Sara Tepes, uses Krita and her main brushes have pen pressure sensitivity turned off. I don’t think I’m the only one who struggles with pen sensitivity; I suspect that a lot of the “what brushes do you use?” questions are really “when I try this, the brush size goes out of control” complaints.
Master Tung-kuo asked Chuang Tzu, “This thing called the Tao — where does it exist?”
Chuang Tzu said, “There’s no place it doesn’t exist.”
“Come,” said Master Tung-kuo, “you must be more specific!”
“It is in the ant.”
“As low a thing as that?”
“It is in the panic grass.”
“But that’s lower still!”
“It is in the tiles and shards.”
“How can it be so low?”
“It is in the piss and shit. And also mayonnaise.”
— The Chuang Tzu
1. I bailed on Game of Thrones. I stopped watching it around season 5. I haven’t seen any of the seasons since.
2. This is a good mantra: “Let people enjoy things.”
3. I think elements of the show are problematic (at least one of those problematic elements is the thing that drove me away).
On a pretty regular basis, I find myself thinking about this scene from The Trotsky, in which two of Leon’s colleagues are trying to convince the school’s students to back Leon’s (radical) course of action:
I particularly like the acknowledgement that Tony isn’t sure that he’s sold on the path forward, but is prepared to back it anyway.
This video is surprisingly practical for improving digital linework:
It reminds me a bit about how Ty taught inking: the first class was all about how to move your hand.
I’m only now just starting to warm up to Star Trek: Discovery. But I am warming up. Season 2 looks like it could be fairly strong.
So, here’s me, thinking out loud about what I like and don’t like about the show.
The Gaze and The Gays
First, I’m glad that they’ve dispensed with the “let’s make sure we give our young, cishet, male viewers their requisite number of boners.” I mean, Star Trek: Enterprise was hyperactive about finding reasons to put T’Pol in her underwear while Archer rubbed
suntan lotion decontamination gel on her skin. And that was clearly a thing they did because 7 of 9 taught them that having a hot chick in a skintight uniform helps with the ratings.
Yes, there’s no happy endings / Not here and not now / This tale is all sorrows and woes / You might dream that justice and peace win the day / But that’s not how the story goes.
— Netflix’s Lemony Snicket’s A Series of Unfortunate Events
Warning: minor thematic spoilers for A Series of Unfortunate Events and bigger spoilers for A Fantastic Woman.