Meaghan Carter has some interesting thoughts about ProCreate for the iPad.
Tag Archive for kamics
I like Clip Studio Paint, and it’s my go-to tool for comics work. But that’s not to say that I’m not occasionally underwhelmed by some of its features. I have the Ex version. Here’s a list of 10 things I wish were better about Clip Studio Paint.
1. Weird brush settings
There are some default brush settings that I find really annoying, and it’s especially annoying that they’re default options.
The one that I find most irritating is the setting that makes brush sizes relative to zoom. So if I pick my favourite inking brush and expand it out to 30px — which means that at maximum pressure, the brush is 30px across (unless you’ve turned off pressure sensitivity) — the size is based on screen size, not paper size. So if I zoom in, 30px on the screen represents a larger area of the paper, and the weight of the line appears a lot heavier. If you want consistent line weights, zooming in screws you up. Suddenly everything you’ve inked at the zoomed-in scale is heavier than the lines you ink while zoomed out. I’m sure that there’s a scenario where you might want that, but I suspect that they’re rare. Nonetheless, this option is turned on by default.
I’ve personally found the pen pressure settings to be far too sensitive, and I tend to tweak the pen pressure sensitivity settings on my favourite brushes to reduce the amount that they respond to pen pressure. One of the YouTube artists that I follow, Sara Tepes, uses Krita and her main brushes have pen pressure sensitivity turned off. I don’t think I’m the only one who struggles with pen sensitivity; I suspect that a lot of the “what brushes do you use?” questions are really “when I try this, the brush size goes out of control” complaints.
This video is surprisingly practical for improving digital linework:
It reminds me a bit about how Ty taught inking: the first class was all about how to move your hand.
I went down to Glad Day book store tonight: we had a bit of a launch party to celebrate that we’ve officially started the Kickstarter campaign for the Shout Out anthology.
Our publisher, Steven Andrews, has done an amazing job on the Kickstarter planning as well as organizing the graphics, rewards, and video script. He’s hired a very good video editor: the video looks really nice. And he showed up at the launch party with some preview samples. (They even say “Special Preview” on the cover!).
The response to the Kickstarter has been amazing. As I’m writing this, we’re thisclose a third-of-the-way funded on day one.
One of the best lessons from #BlackPanther is M'Baku. The comic character "Man-Ape" had a problematic design. Black storytellers dealt with it & reimagined him into a fan-favorite character instead of casting a white actor as the solution, a la Mandarin & the Ancient One. pic.twitter.com/Bqw4Wg2kLl
— Alan Sizzler Kistler (@SizzlerKistler) March 2, 2018
Urk. I’ve done it. I’ve ordered a Cintiq.
I think I first encountered this video at least a year ago. Maybe two. It’s one of a series that Smith Micro Graphics made to raise the profile of Manga Studio (now called Clip Studio Paint and Manga Studio Ex is now called Clip Studio Pro).
The presenter is an artist by the name of D.M. Cumbo, who has been working on an illustrated story called Dreamside. At about the time that Smith Micro released the video, D.M. Cumbo was also making a number of videos about different Manga Studio techniques, but he’s gone a bit quiet on that front lately.
Cumbo’s art really stands out to me because of the vibrancy of colour that he achieves. In a later video, he says that vibrancy is really all about contrast, and that picking colours that contrast well is the key to creating vibrant images. He also really pushes the idea of bounce-back lighting in a number of his videos: he says that things really look “in the environment” when you can see the colours of the environment reflecting back on a figure or object in that environment.
There are three techniques that Cumbo describes in this video that interest me:
This week, the Shuster Award nominations were announced, and for the third year in a row, the Toronto Comics anthology has been nominated for the Gene Day Award for self-published comics. We’ve lost out the last two years, and I don’t really expect this year to go any differently but, as they say, it’s an honour to be nominated.
Because of eligibility date requirements, the nomination was for Volume 3, which came out in 2016. But it’s 2017 now, and there’s a fourth volume. This year, the editors dispensed with the “Volume X” subtitle, and gave the book its own swanky subtitle: Yonge at Heart! This year’s book is a bit smaller (in a “number of pages” sense) than previous years, but what it lacks in pages it makes up for with vibrant colour! And, boy howdy, does that colour make for some gorgeous pages.