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2012 Films

Films that I saw in 2012 that I really loved:

Pariah is, I think, the best film that I saw in the year. The line Alike says, toward the end of the film — “I’m not running; I’m choosing.” — still stands out to me as one of the most simple, and yet powerful, lines I’ve seen delivered in a film the last number of years. In many ways, the film caught me off guard. I knew that it was going to be a queer coming of age story, and it touched on most of the standard tropes of that kind of story. But it was so slice-of-life-y that when the trope-y moments arrive, they just cut to the bone.

The Gatekeepers — which I saw at the festival — was an amazingly good documentary that interviews the 6 most recent still-living heads of the Israeli Shin Bet agency. The director gets them all to talk about their views of the Israeli-Palestine conflict and, given their jobs, what they have to say is really quite eye opening.

I also really enjoyed Take Shelter. In many ways, it follows a well-tread formula: man is having dreams of the end of the world. Are they real, or is he having a breakdown? I thought that this film did an interesting job keeping you guessing about which of those outcomes was going to be shown as “real.” (I haven’t really gone to look for it, but I’d be interested in any critique of how the film treats mental illness) A big part of what worked for me in the film was the dialog. There was something very real-seeming and fresh about the dialog and the delivery of that dialog.

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Man, that was really irritating

After being so excited to get to class tonight, actually attending pissed me off. Mostly because I feel like we were asked to do a bunch of prep that never got used. And I think I’m going to hate next week — it sounds like we’re being asked to work out partial scripts in class. I’m beyond the point of wanting to toy around with structure and skeletons; I want to do the hard work of actually bringing the story to fruition now, and I doubt that working that out in class is a productive way to do that.

Bah. I want real homework.

Barely sit still or hold a thought in my head

I must have really turned a corner on my apprehensions of my Writing class because I’m really excited about tomorrow’s class and I CAN’T WAIT.

Writer’s Workshops at WisCon

What do people think of the Writer’s Workshops that take place at WisCon? Has anyone on my friends list tried one? Impressions?

Thought for the Day

Held up for decades as something of a “miracle cure” for global poverty, microfinance became one of the world’s most high-profile and generously funded development interventions. Everyone, it seemed, was talking about how small loans could unlock endless opportunities for the world’s poorest people.

By 2010, however, microfinance was in crisis. New studies began to challenge the promise of microfinance to bring about an unprecedented reduction in poverty. Crisis in rapidly growing microcredit industries prompted parallels with the US subprime mortgage collapse. Reports of skyrocketing interest rates and suicides among indebted borrowers in Andhra Pradesh, India, suggested a sinister side to the microcredit boom. Suddenly, the story wasn’t so simple.

— Claire Provost, “The rise and fall of microfinance”, The Guardian

Hm. I wonder if the cited studies make any distinction between microcredit as it’s offered by groups like Grameen versus microcredit offered by traditional banks. Must learn more.

Thought for the Day

But that hearing had more in it than just football — it has every other thing that has defined Ford’s mayoralty: his obsessing over small amounts of money; his steadfast refusal to pay any attention to details; his belligerent insistence that normal rules and procedures governing ethics and integrity do not apply to him; and his unique ability to inspire a citizen revolt against him. This case has all of it.

“‘I declare the seat of the respondent, Rob Ford, on Toronto city council, vacant'”, Edward Keenan

The Assassination of Conflict of Interest Laws by the Coward Rob Ford

Today is the best day ever.

Talking across time

Seen on Shakesville:

This Way

The other day, I was walking home via a slightly different route than I usually take, and I stumbled upon this sign:

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World Building

The course description for my Monday night “Writing For Comics, Part 2” class reads thusly:

A master class on practical writing. Students will learn the standard applications of tropes and genres, the rules of pacing and scene work, the secrets of world building, character bibles, supporting casts, sub-plots, comedy writing, ongoing series and much more.

So. “Standard applications of tropes and genres.” That could be a very freighted thing. Last class we were freighting World Building.

As I said, before, Ty’s approach to teaching writing is very much about, “here is the template; fill it in, and you’ll have a sturdy foundation for your story.” His approach to world building for stories is no different. We spent the first third of the class working on the Successful World Building Formula. He wrote nine points on the board, and said, essentially, “make interesting decisions around these nine points that really speak to the story you want to tell, and you’ll have a compelling world.” Points number four and five were the ones that I thought were interesting.

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