Toronto Comics Volume 3 Review

Sufferance Space

In one of the early years that I attended WisCon — I want to say that this is something like 2003 — I proposed a panel: Trans Feminism. Aaron L. had volunteered to moderate, but the panel almost didn’t make it through the panel vetting process. Basically, not enough WisCon attendees expressed interest in the panel. I think the panel was saved fairly late in the process by Debbie, who agreed to be a panelist.

For a few years after that, I kind of thought to myself: “okay, there’s room for exactly this much transness at WisCon.” I thought, y’know, maybe a trans panel every few years. Maybe panels about speculative treatments of gender could include a token trans person. This much, I thought, but it’s unreasonable to expect more.

This past WisCon, I was thinking about the trans and genderqueer contingent. I was picking and choosing which of the several T/GQ panels I was gonna attend. And at times, I hung out in the trans and genderqueer safer space, now in its second year. And I think, “huh. I had such a meagre vision about what trans inclusiveness could look like at a place like WisCon.” I remember, for example, having thinky thoughts about a Fat is not the Enemy panel at WisCon in 2008: the thing I thought, then, was maybe the message of “love your body the way it is” sounds a bit suspect to my trans ears, but that thought was immediately followed with, “it’s a derailment (or at the very least, uninteresting to most attendees) to throw transness into this unrelated panel…”

Part of the way WisCon has changed over the years is that there’s just more trans folk at the con. There’s a trans/genderqueer posse. And more folk means that more trans/genderqueer content gets on the programming schedule. More consideration goes in to making the space welcoming. When the trans/genderqueer safer space was proposed, the con ran with it in a way that was amazing.

These changes are good. I like them; I support them; I’m glad for them. But a remaining problem is me. I think that I really need to own the idea of raising my expectations.

She Comes in Colours Everywhere.

I’m continuing to pour a lot of my creative energy into comics. I’ve had a few things going on in that world.

Toronto Comics Volume 3 - smallFirst up, I’ve taken part in the third volume of Toronto Comics (the book seems to have dropped the “Anthology” part of the name). I wrote a story this year — “Lofty Aspirations” — but didn’t draw it. Instead, it was illustrated by Xan Grey, an amazingly talented artist, who’s been in the last two anthologies.

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This is Why I Don’t Want to See the NDP and the Liberals Merge

It’s a pity that Stephen Lewis is so old; he’d be a great new leader of the party. I’m not a big fan of his wife’s transphobia, though.

Thought for the Day

Today, the CBC called [Rob Ford] a “millionaire with a working-class attitude.” No. He was a millionaire who hated the poor. Like many other millionaires. If anything, Ford was a kind of Trump-lite, somehow seen as an “everyman” because he is so brave as to admit his bigotry publicly and proudly.

Certainly he did not support struggle of the working class, anti-union as he was. The CBC is correct that he became an “international celebrity for his drug and alcohol use while in office,” but he shouldn’t have been infamous for that reason. Rather, it should have been his treatment of women, people of colour, and the poor that brought him infamy.

[…]

He outright rejected the existence of homeless shelters, was overtly homophobic and racist, suggesting, in 2003, that Toronto be declared a “refugee-free zone.” Ford was charged with assaulting and threatening to kill his wife, Renata, in 2008 (though the charges were dropped), and in 2011 she reportedly placed a call to 911, with regard to a “verbal altercation” between herself and her husband.

“On the death of Rob Ford and mourning abusive men”

Thought for the Day

[Jessica Jones] was open and unapologetic about its character’s sexual encounters; Daredevil is painfully chaste—a kiss in a rainstorm is visualized as an adolescent, hearts-and-flowers fantasy, while a flashback scene of Matt making love to his college girlfriend, Elektra (Elodie Yung) consists almost entirely of shots of Elektra shaking her hair in circles. (This isn’t sex so much as a shampoo ad.)

“The Paradox of Daredevil, The Atlantic

Military Uniforms

Do any of my friends understand military uniforms? I’m especially interested in WW2-era US Army uniforms, for a comic project.

There are some details that I haven’t been able to make sense of and I’d love some insights.

2015 in Film

Every year, I make a post about films I particularly enjoyed that year. This year seemed harder than most. Not a tonne of films particularly stand out, and I especially feel like I’m deriving much more enjoyment out of some of the really well-made TV shows lately. I was also really busy in September of this year, and didn’t manage to make it to the film festival, which is where I usually find one or two of my favourite films of the year.

Anyway, Here’s my go at a list of top 5 films.

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Lettering Guide

Lettering Guide Do you ever have one of those days where you’re, like, “Y’know, I’m not sure I know where my lettering guide is. Has it been more than three years since I’ve used it?”

Cliffs of Moher

cliffs_of_moher

This could be the cover to Siobhan’s new album. Um, if she made music like Bruce Springsteen.